![]() ![]() Until this point, Satan’s Slaves offered a cryptic coda only insiders could interpret. It provides the necessary context for the ending of Anwar’s film. Having access to Satan’s Slave on the same streaming platform as its remake doesn’t just work as an examination of cultural horror through generations. Anwar employs every tool in his arsenal amassed from a lifelong affinity for the genre to deliver potent scares that come at a consistent pace. How that unfolds proves far more complicated than before, but more importantly, it’s far scarier. In the remake, the death of the mother unleashes a curse birthed from a Satanic pact. While the original retained a simple good vs. That includes Joko Anwar, who couldn’t get the film out of his head after being traumatized by fear in his first exposure to it-remaking a formative movie, the lifelong horror fan adhered to the essence of Satan’s Slave, the eerie atmosphere. ![]() It’s clear that Sisworo Gautama Putra intended serious horror, though, and it proved massively effective on audiences in 1980. To a modern audience, Satan’s Slave can read as camp, a product of its era. It’s interesting to watch this film alongside its remake. Only the help of a shaman and religion can spare them from becoming slaves of Satan. Darminah systematically removes those closest to the family and uses them as undead slaves to wreak havoc. Karto is in tune with religion, though it can’t save him from the encroaching evil. Tomi seems interested in spirituality, but being left on his own without guidance means he’s prone to getting into trouble with his dabbling. It’s safe to assume mom Mawarti enjoyed the wealth provided by her workaholic and ambitious husband. Rita enjoys disco parties and spending time with her boyfriend, Herman. They’re too occupied with the material or hedonistic things in life to practice. Satan’s Slave goes to great lengths to show that this family’s life is devoid of religion, in turn making them susceptible to evil. Things get even stranger after the arrival of new housekeeper Darminah, an occultist woman with nefarious intentions. That leaves Rita struggling to figure out what’s happening with her younger brother Tomi, who insists the ghost of his mother is haunting him. Munarto is mostly an absent father, preoccupied with work, and accumulating wealth. Mawarti succumbed to a mysterious illness, leaving behind her two children, Tomi and Rita, and husband Munarto. Directed by horror director Sisworo Gautama Putra, the film opens to a family in mourning. Satan’s Slave relied on eerie atmosphere and unsettling imagery. Before its release, the genre was dominated by special effects-driven movies heavy on the gore. Touted as a remake of 1979’s Phantasm, 1980’s Satan’s Slave transformed Indonesian horror. Recently, Shudder made Satan’s Slave available to watch on their platform, serving up two distinct generations of vital Indonesian horror. Though it might’ve rocked the nation to its core upon release, Satan’s Slave proved to be a rare find elsewhere for decades. The international success of Satan’s Slaves seems fitting, considering it’s a remake of 1980’s Satan’s Slave, an influential entry in horror for Indonesia. After receiving strong buzz during its festival run, the film found a perfect home on Shudder, where it’s continued its reputation as one of the streaming platform’s most frightening offerings. In 2017, Satan’s Slaves topped the list of highest-grossing films in Indonesia. ![]()
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